{"id":13430,"date":"2018-10-04T08:48:13","date_gmt":"2018-10-04T08:48:13","guid":{"rendered":"http:\/\/faceinews.com\/?p=13430"},"modified":"2018-10-04T08:48:24","modified_gmt":"2018-10-04T08:48:24","slug":"committed-to-saving-indias-cinematic-heritage-viacom18-partners-with-film-heritage-foundation-for-the-4th-film-preservation-restoration-workshop-india-2018","status":"publish","type":"post","link":"https:\/\/www.faceinews.com\/?p=13430","title":{"rendered":"Committed to Saving India\u2019s Cinematic Heritage, Viacom18 partners with Film Heritage Foundation for the 4th Film Preservation &#038; Restoration Workshop India 2018"},"content":{"rendered":"<p><a href=\"http:\/\/faceinews.com\/wp-content\/uploads\/2018\/10\/FPRWI2018-Web-Banner-Apply-Now-960x550.jpg\" rel=\"attachment wp-att-13431\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-13431 size-full\" src=\"http:\/\/faceinews.com\/wp-content\/uploads\/2018\/10\/FPRWI2018-Web-Banner-Apply-Now-960x550.jpg\" alt=\"Print\" width=\"764\" height=\"440\" srcset=\"https:\/\/www.faceinews.com\/wp-content\/uploads\/2018\/10\/FPRWI2018-Web-Banner-Apply-Now-960x550.jpg 764w, https:\/\/www.faceinews.com\/wp-content\/uploads\/2018\/10\/FPRWI2018-Web-Banner-Apply-Now-960x550-300x173.jpg 300w\" sizes=\"auto, (max-width: 764px) 100vw, 764px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/faceinews.com\/wp-content\/uploads\/2017\/11\/Faceinews-Logo-Copy.png\" rel=\"attachment wp-att-7654\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-7654\" src=\"http:\/\/faceinews.com\/wp-content\/uploads\/2017\/11\/Faceinews-Logo-Copy.png\" alt=\"Faceinews Logo - Copy\" width=\"173\" height=\"43\" \/><\/a><\/p>\n<p><em>\u00a0<\/em><\/p>\n<ul>\n<li><strong><em>Workshop to be conducted in Kolkata from November 15 to 22, 2018. Applications are open<\/em><\/strong><\/li>\n<li><strong><em>Invites participation from Sri Lanka, Nepal, Bangladesh, Bhutan, Myanmar and Malaysia in addition to India<\/em><\/strong><\/li>\n<li><strong><em>To draw attention on the increasing need to create subject matter experts for film preservation and restoration<\/em><\/strong><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><strong>Nov 2018, Chennai: <\/strong>Celebrating a century of Bengali cinema, Viacom18 and Film Heritage Foundation (FHF)announces the 4<sup>th<\/sup> Film Preservation &amp; Restoration Workshop India 2018 (FPRWI) in Kolkata. After successfully partnering with the FHF for the past 3 years, supporting the workshop in Mumbai, Pune and Chennai, the objective of FPRWI 2018 is to create awareness on the urgent need to preserve the moving image heritagein the Bengali film industry thereby, making it accessible to global audiences. Applications for the week-long workshop are currently open on <a href=\"http:\/\/filmheritagefoundation.co.in\/film-preservation-restoration-workshop-india-2018\/\">http:\/\/filmheritagefoundation.co.in\/film-preservation-restoration-workshop-india-2018\/<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Speaking about the Film Preservation &amp; Restoration Workshop<strong>, Sudhanshu Vats, Group CEO and Managing Director Designate, Viacom18<\/strong> said: <em>\u201cIndia is a country of epic tales that weave through every aspect of our life.Our cinema has been one of the foremost tools of bringing these stories to form our nation\u2019s collective consciousness, across regions and languages. For close to two and a half decades, starting circa 1950, Bengali cinema moulded this collective conscious as it saw a galaxy of talented directors, actors and musicians shape not only the region\u2019s cinema but also setting the narrative for progressive Indian cinema. Personalities like Satyajit Ray, RitwickGhatak, MrinalSen, Uttam Kumar, AparnaSen, Sharmila Tagore et al not only were revered throughout the world as film personalities but also shaped the discourse of socio-political culture both within and outside of India. Their works define our times and as such it is imperative that we preserve and restore them so that the generations to come appreciate our rich cultural heritage. It is this single philosophy that prompted us to partner Film Heritage Foundation through the last 3 years and after Maharashtra and Tamil Nadu, bring the Film Preservation &amp; Restoration Workshop to the Bengali film industry.\u201d<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>FPRWI will focus on the need to skill and train a resource of archivists to take on the challenge of preserving and archiving film heritage. The workshop will take place in Kolkata, India from November 15 \u2013 22, 2018 at Rabindranath Tagore Center and will have participation from India, Sri Lanka, Nepal, Bangladesh, Bhutan, Myanmar and Malaysia. In addition to the workshop, daily screening sessions of restored classics will take place at Nandan and RabindraSadan in Kolkata.<\/p>\n<p>&nbsp;<\/p>\n<p>Speaking about bringing the workshop to Kolkata this year,<strong>Shivendra Singh Dungarpur, Founder, Film Heritage Foundation <\/strong>said, <em>\u201cWhen we conducted the first film preservation and restoration workshop in Mumbai in 2015, people were not aware that films needed to be preserved. I am proud to say that after having conducted these workshops in Mumbai, Pune and Chennai over the last three years in partnership with the International Federation of Film Archives (FIAF), we are already seeing the impact. <\/em><em>Selecting Kolkata as a venue for our fourth workshop was a foregone conclusion with Bengal being the jewel in the crown of India\u2019s film heritage. Unfortunately, very little survives of this precious legacy. \u201cJamaiBabu\u201d (1931) is only one Bengali film of the silent era that survives. We hope to change this scenario by creating awareness and building capability.What is truly incredible about this workshop is that 30 students will get to do the course absolutely free of cost.<\/em><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><em>If urgent steps are not taken these films will be just faint memories from another time and the generations to come will forget the existence of the great artists who came before and from whom we learned so much.\u201d<\/em><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p>FPRWI 2018 is supported by globally renowned industry bodies like <strong>The Academy of Motion Picture, Arts &amp; Sciences, L\u2019ImmagineRitrovata, FondazioneCineteca di Bologna, British Film Institute, The Criterion Collection, the Irish Film Institute, the Austrian Film Museum, Eye Filmmuseum, Bundesarchiv (German Federal Archives), the Indiana University Libraries Moving Image Archive, Centre for Creative Photography, University of Arizona,ARRIand Media Inventions<\/strong>.<\/p>\n<p>&nbsp;<\/p>\n<p>FPRWI is considered to be the most comprehensive workshop of its kind, and has become a modelfor the International Federation of Film Archives (FIAF) for its international training programs. The workshop is certified by FIAF and is designed to cover the subject through theory and practical sessions with detailed insight aboutthe best practices of preservation and restoration for films and film-related paper and photographic material. The 2018 edition of the workshop will introduce a fresh format where in the selected participants will be given an opportunity to choose an area of specialization from 4 broad categories including Film Handling and Repair, Digital Preservation and Restoration, Cataloguing and Paper, and Photographic Conservation. The workshop will also have a practical session with the latest and world class ARRISCAN XT giving participants hands-on training on film scanning.<\/p>\n<p>&nbsp;<\/p>\n<p>FPRWI 2018 will be conducted by a faculty of international experts from leading institutions around the world including:<\/p>\n<ul>\n<li>David Walsh \u2013 FIAF \u2013 Film and digital technology and preservation strategies<\/li>\n<li>Camille Blot-Wellens \u2013 FIAF \u2013 Film identification<\/li>\n<li>Thelma Ross \u2013 FIAF \u2013 Documentation and Cataloguing<\/li>\n<li>Kieron Webb \u2013 British Film Institute \u2013 Film selection<\/li>\n<li>Marianna de Sanctis \u2013 L\u2019ImmagineRitrovata \u2013 Film Repair<\/li>\n<li>Benjamin Tucker \u2013 Film handling<\/li>\n<li>Mick Newnham \u2013 Film in bad condition<\/li>\n<li>Dawn Jaros \u2013 Academy of Motion Picture, Arts &amp; Sciences &#8211; Paper conservation<\/li>\n<li>Dana Hemmenway \u2013 Centre for Creative Photography, University of Arizona \u2013 Photograph conservation<\/li>\n<li>Jeroen de Mol \u2013 Eye Filmmuseum \u2013 Digital preservation<\/li>\n<li>Dave Rice \u2013 Practical digital technology<\/li>\n<li>ThiloGottschling \u2013 ARRI \u2013 film scanning<\/li>\n<li>Giles Sherwood \u2013 The Criterion Collection \u2013ColourGrading<\/li>\n<li>Cara Shatzman \u2013 The Criterion Collection \u2013 Digital Restoration<\/li>\n<li>Oliver Danner \u2013 Bundesarchiv \u2013Soundtrack preservation<\/li>\n<li>DavidePozzi \u2013 L\u2019ImmagineRitrovata \u2013 Restoration ethics and practice<\/li>\n<li>Cecilia Cenciarelli \u2013 FondazioneCineteca di Bologna \u2013 Restoration case study<\/li>\n<li>Lee Kline \u2013 The Criterion Collection \u2013 Restoration case study<\/li>\n<li>Jakub Stadnik \u2013 Media Innovations \u2013 Soundtrack preservation<\/li>\n<li>Kasandra O\u2019Connell \u2013 Archive management policies and business plans<\/li>\n<li>Jurij Meden \u2013 Running a digitization project<\/li>\n<li>Andy Uhrich \u2013 Access presentation and programming<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>Applications for the 2018 workshop are open until October 1, 2018. Selected applicants will be notified and scholarships will be presentedto deserving local and international candidates.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0 Workshop to be conducted in Kolkata from November 15 to 22, 2018. Applications are open Invites participation from Sri Lanka, Nepal, Bangladesh, Bhutan, Myanmar and Malaysia in addition to India To draw attention on the increasing need to create subject matter experts for film preservation and restoration &nbsp; Nov 2018, Chennai: Celebrating a century [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":13431,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[],"class_list":["post-13430","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinemas"],"_links":{"self":[{"href":"https:\/\/www.faceinews.com\/index.php?rest_route=\/wp\/v2\/posts\/13430","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.faceinews.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.faceinews.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.faceinews.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.faceinews.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13430"}],"version-history":[{"count":2,"href":"https:\/\/www.faceinews.com\/index.php?rest_route=\/wp\/v2\/posts\/13430\/revisions"}],"predecessor-version":[{"id":13433,"href":"https:\/\/www.faceinews.com\/index.php?rest_route=\/wp\/v2\/posts\/13430\/revisions\/13433"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.faceinews.com\/index.php?rest_route=\/wp\/v2\/media\/13431"}],"wp:attachment":[{"href":"https:\/\/www.faceinews.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13430"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.faceinews.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13430"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.faceinews.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13430"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}